Mobile Menu
Down the Rabbit Hole follows a walk through a narrow alley where ordinary architecture gives way to color, found objects, strange characters and fragments of Alice in Wonderland. As I moved deeper into the space, the line between the real world and the imagined one seemed to disappear. These photographs follow that journey—from the first step into the unfamiliar, through its curiosities and characters, and finally back through the looking glass to the ordinary world outside.
Alice appears among distorted bodies, doll heads, clocks, oversized flowers and winding stone paths. Rather than documenting individual artworks, I photographed the experience of encountering them—the unexpected details, strange juxtapositions and moments when the artwork interacts with the people and architecture around it. Together, the images turn a walk through an alley into a journey down the rabbit hole.
A figure walks deeper into a narrow passage crowded with oversized flowers, painted walls, found objects and fragments of fantasy. The alley becomes an invitation to leave the ordinary behind and follow wherever the path leads.
A wall of clocks, sculpted forms, discarded objects and disembodied faces turns the familiar into something strange. The longer I looked, the more there was to find—as though the rules of the ordinary world had begun to slip.
Looking upward, layers of signs, sculpture, color and unexpected objects compete for attention. The words Alive in the Flesh hover above the chaos, blurring the boundary between painted characters, physical objects and the world outside the frame.
Alice reaches toward a doorway as the White Rabbit waits beside her, while a real person stands just beyond the frame of their painted world. For a moment, fiction and everyday life occupy the same doorway.
The Queen of Hearts points from a wall populated by mismatched characters, floating faces and fragments of another world. Familiar figures appear alongside strangers, creating a Wonderland that feels assembled from memories, stories and imagination.
Oversized storybook pages emerge from a brilliant red wall, carrying Alice deeper into the darker corners of Wonderland. The Jabberwocky transforms the building itself into a book that seems to have broken free ofits pages.
The Mad Hatter sits among a strange collection of portraits, diners, creatures and disconnected scenes. Characters from different worlds share the same wall, creating the kind of impossible gathering that some how feels perfectly at home in Wonderland.
A decorative arch frames the ordinary street beyond, turning the opening into a threshold between two worlds. After the color and confusion inside the alley, everyday life waits on the other side.
